Latest Podcasts

6 Aug

Under The Radar Live Sessions on Mixcloud

Aimée – Codes EP Review

10 Jul

Codes EP by Aimée

Aimée website

For recodes_smlgular followers of Under The Radar Live Sessions the name Aimée will be familiar as the very first artist I ever interviewed back in October 2008 when she was merely 13 years old.  In those days Aimee used to perform extensively at open-mic evenings around Hampshire and Surrey accompanied by her trusty guitars ‘Jeremy’ and ‘Jemima’.   Her songs were always catchy and expertly written, sung with the passion and conviction of someone much older and experienced than her.Beach

Since then, she has been joined by two of her younger siblings, sister Freya on violin and backing vocals, and brother Ross on cajon. Her sound has developed into her very own brand of acoustic folk with elements of americana, and delicious harmony-laden pop.

Codes is her latest EP, a collection of four tracks, each giving a clear insight into the versatility and sheer creative genius of these three young artists.

Codes

Echoes of Celtic chants greet you with Aimee’s opening verses, who is soon joined by Freya on harmonies.  The guitar arrangements together with the violin and the beat of the cajon provide a magnificent accompaniment to their vocals.

Bound

A beautiful melodic song, oozing sensitivity, hope, and a certain melancholy with a seriously infectious angelic chorus.

Apricot Cake

A dramatic violin instantly transports you across Europe and to some bazaar in north Africa.  This can easily be described as a masterpiece and quite possibly one of the strongest examples of the magnificent artistic creativity of these siblings.

Happy Ending

I guess this is Aimée’s very clever interpretation of a rap song, injecting a large dose of urban sound into her song.  Classy, sweet, and as ever, driven by a strong melody and magnificent violin and expert percussion.

To summarise, this EP is testament to a very special artist who continues to push the boundaries.  Aimée has not exactly found ‘her sound’ but rather she has created her own genre and continues to develop as a singer song-writer and performer of the highest calibre.

You can buy Codes via Aimée’s website, click image below:

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Here is Aimée with Freya and Ross performing at the recent Abbotsbury Festival:

Gitta De Ridder

1 Jul

Come Find Her

http://www.gittaderidder.com

 

This week we have the pleasure of welcoming Dutch songstress currently living in the UK Gitta De Ridder. Eloquent, warm and with a distinctive and rather infectious voice, Gitta left us under no illusions about her musicianship and her undeniable gift for writing heartfelt, melodic and memorable songs.

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Here Gitta de Ridder sings a very nice acoustic version of ‘A Thousand Fireflies’

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Latest Sessions

25 Jun

Goldie Reed

Introducing Goldie Reed, singer-songwriter from Biggin Hill. We’ve been looking forward to welcoming this talented songstress to our studios for some time now, and her session left us with enamoured with her voice, her charm and natural stage presence. Goldie is signed to small independent label Big I Am music and is in the process of finishing her second album.

www.goldiereed.com

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Sophie Villy

13 Jun

Album Review – Dress

Sophie by Lena Елена Лесникова

Photo by Lena Елена Лесникова

www.sophievilly.com

Veredict: 10/10

I first learned about Sophie Villy following an article from Guardian Music called “Six must-listen new tracks from around the world” where her song ‘Connected’ (reviewed below) was chosen as one of the six songs.  This led to an unexpected but very pleasant opportunity to welcome Sophie to our studios for a live session during her maiden visit to London back in February of this year.

Born in Tbilisi, the capital of Georgia in the far eastern end of Europe, Sophie has been singing since she was three.  Her music is “inspired” by her designer mother, Mila, and influenced by her musician father, David, who used to gather an intimate circle of friends for regular sessions in his “Music Lair” – a room smelling of “autumn, wine and cigars” – at their home.

She started writing songs at the age of 14 and at 16, while studying tourism at high school, Sophie began performing in local clubs with her good friend and talented guitarist Irakli Metreveli, doing covers and original work.

Her second album, ‘Dress,’ is an eclectic collection of twelve lyrical tales taken from real life experiences which consider and reflect a modern reality.   Sophie sings about things that really matter to her, not just love, the weather and flowers, but real life topics which affect us all in a deep and very meaningful way. Her voice is pure, sincere and husky.

Recorded in an old Georgian film studio – and with vintage analogue equipment – ‘Dress’ has all the hallmarks of becoming an iconic album and it is certainly worthy of occupying a place in all music connoisseurs album collections.

I have picked four tracks which caught my ears, but in fairness, I have to say each and every track has its own charm, its own magnetism, and its own charisma.

ConnectedSophie Villy Connected

The opening track, starts with interesting, almost tribal  percussion, which is soon joined by a very soulful piano and a mellow cello.  Just as your ears start to embrace this cacophony of sound, Sophie’s sultry and husky vocals join in and add an element of uplifting melancholy.  Her tone is gentle, melodic and she sings with an indescribably delicious accent which has strong Mediterranean, Arabic and Georgian tones.  This already very likeable song is further lifted to new levels by the addition of a distant, solemn and rather magnificent trumpet.  No wonder this song has received much global attention.

Drift Around

Sophie at the Bedford Photo by Lena Lesnikova.

Photo by Lena Lesnikova. The Bedford London

Greets you with a mellow jazz piano introduction.  Sophie’s voice is gentle and almost spoken, although she is singing the slightest of melodies.  The song is magnificently produced with rich bass, and blends from mellow jazz to very contemporary prog rock which is marked by the distinctive sound of drums and piano, characteristic from this genre.

Sophie Villy Studio snapshotMan in the Mist

Opens with a gentle but suspense-driven string arrangement. Sophie’s voice delicate and husky as always is accompanied by more strings, adorned with her signature vintage guitar and marked by a pulsating funky bass.   Towards the end of the song the tempo slows right down and the bass becomes less funky and more soulful.  This is a classy composition expertly produced to a very high standard.

Who

This is a very iconic track, driven by Sophie’s deliciously retro vintage guitar which cries 100% blues and easily transports you to a set from a Tarrantino movie.  Her voice is fresh, always delicate and husky, yet it could easily be Jagger’s or Dinah Washington’s.  This is another classy tune expertly composed, and delivered in a totally original, engaging and unforgettable way.

Here is Sophie performing ‘Who’ at the Under The Radar Live Sessions studio in February this year
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In this audio clip, Sophie reveals how she transitioned from a high-diver to a singer song-writer.

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Without  a doubt Sophie Villy is destined for great success, she is naturally beautiful, she has a unique style, and there is no denying her natural talent and musical ability.  Her lyrics are deep, meaningful and heartfelt, and the twang on her magnificent vintage guitar echoes in your head long after the album has finished playing.  Go and buy it now on iTunes  or CD Baby

Here is the official video for ‘Connected’

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Stacey Skeete

14 Jan
Stacey Guitarhttp://www.staceyskeete.com
Stacey Skeete, is a London-based singer song-writer with the most exquisite voice. Simple, yet heartfelt songs beautifully sung. Feeling honoured and privileged to have welcomed this enchanting songstress to our studios. Currently putting the finishing touches to her debut EP which promises to be a collection of songs which will captivate, move and inspire you.

Listen to the full session here:

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Her stunning single ‘I Forgive You’ is now available for download and you can enjoy the exquisite acoustic version performed live at the Under The Radar Live Sessions studios right here:

New Zealand’s Best – Sound The Ocean

9 Oct

New single review – Sound The Ocean ‘Spring’

http://www.soundtheocean.com

SpringI often like to ‘lose’ myself on the Internet whilst searching for new music.  I like to call these activities my musical journeys.  There are no rules of engagement and there is no logical plan to follow.  These journeys can start when I least expect them to start, often as a result of a Tweet someone has shared, or a name that pops up on the Facebook search bar as I type.

During one of these musical journeys I came across a collection of new, fresh and emerging New Zealand bands which left me grinning from ear-to-ear as they are ALL fantastic.  I also discovered that the New Zealand government are avid supporters of broadcast media and the Arts and have set up an organisation called NZ On Air which funds and invests in a colourful range of local television, radio, music and digital media content to extend choices for New Zealand audiences.  This goes a long way to explaining the reasons why there is such a vibrant and exciting new and emerging music scene in New Zealand.Sound The Ocean main

I present to you Sound The Ocean, a seven-piece band of music teachers from Hamilton. in the Waikato region of the North Island.  Their sound is polished, anthemic and totally infectious!  Their brand new single ‘Spring’ epitomises the perfect pop anthem with an uptempo beat driving the song, perfect instrumentation, and a melodic male lead vocal accompanied by some deliciously euphoric choruses sung in beautiful harmony.  These guys certainly know how to write and perform the perfect pop anthem and I have a suspicion they will do rather well in their native New Zealand and we hope this success spills around the Globe.

Here is the fantastic video which accompanies ‘Spring’ which launches today.

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